INDUSTRY: WRITING COMEDY - FULL DAY PASS
(PREVIOUSLY KNOWN AS WRITERS’ DAY)
Whilst at LOCO’s course, I met two vital contacts to support in advancing my career in comedy and TV, one being a fantastic actress and the other a talented producer. I invited the producer to a screening of my sitcom pilot at BAFTA. After watching it, she put me and my team in touch with a UK top 100 production company who ultimately signed us as writers.
Lee Dilley (IN THE DOG HOUSE, NEUTRAL, JOBSEEKERS)
LOCO’s Industry programme is back with a full day’s programme for those with a way with words. We’re packing workshops and panels for mid-career comedy writers looking to develop scripts and skill-sets, and there’ll be ample opportunities to discuss upcoming projects with like-minded professionals and potential collaborators. Please note: you do not have to be defined as a writer to attend these sessions!
The full-day ticket covers the following topics which are also available to purchase as individual sessions (click the link for more details):
– Getting Representation and Making Money; WITH Charly Clive (Wri. Perf. BRITNEY; Channel 4’s PURE), Alex Cartlidge (Prod. BRITNEY; Country Mile Comedy Club), Stephanie Walton (Head of New Business and Develpment at COMPULSORY)
– Life Skills and Writing Systems for Comedy Writers; WITH Emily Man (Founder of Emily Man Coaching), Lee Dilley (Co-Founder of Goat Tree Films), Helen Simmons (from Raising Films, also Prod. POST-COITAL, CHUBBY FUNNY. Writ., Dir. Prod.: F*CK)
– Writing a Comedy Drama; WITH Frog Stone (Writ. BUCKET, 4 O’CLOCK CLUB), Matt Roberts (Dir. MASTERS OF LOVE, MAN BAND), Staten Cousins-Roe (Dir. Writ. A SERIAL KILLER’S GUIDE TO LIFE, THIS WAY OUT)
– Too Many Cooks? Writing Comedy with Others + Joke-writing workshop session; WITH Nat Tapley (TONIGHT WITH VLADIMIR PUTIN, HAVE I GOT NEWS FOR YOU), Tasha Dhanraj (Wri. WHERE ARE YOU FROM: THE GAME, INBETWEENERS FWENDS REUNITED)
– Networking drinks
I really can’t emphasise enough my appreciation for all the support LOCO has given me over the years, I am pretty sure the only reason people started taking me seriously as a writer-director was because you guys did first.
Kate Herron, SEX EDUCATION
NB: Just starting out? Our How to Get into Comedy Writing day is for those emerging writers looking to understand the craft.
Supported by MindsEye